| Bumming
A Smoke
by Ian McIntire
---She
leaves the convenience store a few
paces ahead of me, carrying a newly purchased
pack of cigarettes. She’s quite attractive,
really; long, dark hair, tall frame, short skirt,
shapely body, grey eyes with a hint of a smile
behind them. Another log to throw on the old
libido fire.
---I show the cashier
the bottle of ginger ale I’m holding,
and receive a terse “99” in response.
I hand my last dollar over and receive a penny
in change. I’m lucky my bus pass hasn’t
expired yet, or I wouldn’t be able to
afford the soda right now. The penny goes into
one of my pockets, right next to the aforementioned
bus pass, as I make plans to get to the ATM
after I finish at the bookstore.
---I leave the
store, noting that the sun has come out from
behind the clouds since I’ve been in there.
Turning toward the bus shelter, I notice that
the attractive cigarette buyer is sitting on
the bench, probably waiting for the same bus
I am. I smile inwardly: there are much less
appealing people to share a few minutes with.
---A man stands
in the shelter, but he obviously has no connection
with the woman. Thinking back, I seem to recall
seeing him waiting in the shelter before I went
into the store. He’s a professional type:
briefcase, tight tie, three-piece suit, glasses,
and tension that’s probably given him
an ulcer and a reduced life expectancy. Or at
least depleted his immune system to the point
where bacteria will give him an ulcer. He’s
smoking a cigarette, while the woman isn’t.
I imagine that she’s decided she can make
do with the second-hand smoke for now.
---I don’t
smoke, but I don’t have much objection
to other people doing it around me. Live and
let live, I guess. After all, it’s their
money they’re throwing away, not mine.
---About ten, fifteen
meters from the shelter, there’s another
man. Obviously not too well off, wearing a distressed
sweatshirt proudly proclaiming him to be a ”Philadelphia
Phillies Philly Phanatic Phan,” dirty
sneakers, old baseball cap and camouflage pants.
I’m always amazed when people wear camouflage
in the middle of a city - it’s not like
it’s making them any harder to spot.
---The Phan strolls
to the shelter and asks, “Excuse, but
could I borrow a cigarette?” I’m
about to say “Sorry, I don’t smoke”
when the professional explodes. “Look
I already told you, no!” Phan responds
quickly with “I wasn’t asking you,
alright? I was talkin’ to the lady!”
The professional shrugs and turns away, while
the woman opens up her purse and removes the
pack of cigarettes. She fumbles with the cellophane
wrapper for a few moments, then finally bites
it off. Her fingers (short, unpainted nails)
pry open the box and remove a cigarette, which
she then holds out to the Phan.
---He takes the
cigarette silently before turning again to the
professional. “What is your problem, anyway?”
The Phan wanders out of the shelter toward the
store, exiting a few moments later with one
of their complimentary matchbooks. As he lights
the cigarette, he walks toward the spot where
he’d been waiting before I left the store.
---A minute or
two passes. The professional checks his watch
(expensive), while the woman removes a paperback
(Star Trek) from her purse and begins to read.
I finally remember the bottle of ginger ale,
open it, and begin to drink.
---The Phan wanders
back to the shelter. “I mean, I was just
askin’ for a cigarette. It’s not
like I was trying to mug you. What the fuck
is wrong with you?” The woman and I look
up for an instant, while the professional pointedly
ignores him. He wanders back to his perch.
---A watch ticks,
a page turns, the bottle drains a bit. A bus
stops, but it’s a 56, not an 8. None of
us gets on.
---The Phan returns.
“You better not be getting on the same
bus I am. You hear me, motherfucker? You do
and I’ll kick your ass so bad...”
I get the impression that he’d been trying
to work out a way to finish the sentence, but
just trailed off. This time, the woman and I
ignore him as well.
---It looks like
the Phan no longer wants to remain still. Instead
of leaning against the wall of the building,
he’s just wandering about in a holding
pattern. Every so often, he comes back and resumes
venting his spleen. “Listen, you piece
of shit. You want to take me on? You want to
try something? Right now! C’mon, shithead,
I’m waiting! I thought so, you fucking
coward. Just don’t try anything. You get
on the same bus, and your ass is mine, your
hear!”
---I finish my
bottle of ginger ale and exit the shelter to
throw the empty away. The Phan is still hovering
nearby. I look down the street, wondering where
the 8 is. I slip on my sunglasses. As I return
to the bench inside the shelter, I notice that
another woman has entered the shelter, and taken
a seat on the opposite end of the bench. The
professional is surreptitiously trying to keep
an eye on the Phan. A little bored, I run an
appreciative, hopefully subtle, glance across
the original woman’s legs. She’s
got a tattoo on one of her ankles, and when
she crosses her legs, I can read it more clearly.
---“Hey,
listen motherfucker. You see that bridge down
there?” I know from experience that there’s
an underpass about 500 meters down the road,
so I assume that that’s where the Phan
is pointing. The tattoo is quite well done,
some sort of ivy/thorn motif running like an
anklet around the woman’s leg. “I
know four or five guys down there. You come
around here again and all of us’ll just
beat the fucking shit out of you. Fuck your
ass and leave you for dead.”
---The initials
“RFF” are intertwined into the ivy,
carved delicately into her smooth, fragrant
skin. “I bet you’d fuckin’
like that wouldn’t you, you cocksucker?”
A man made work of art on a natural work of
art. I raise my eyes, looking down the road,
pleading for the 8 to come. I think I see a
vehicle that could be a bus, but it’s
tough to tell at this distance. I wonder if
she’s got any more tattoos, and if so,
where.
---I quickly glance
back the opposite way, eastward, toward my destination.
I try to make it look like I’m curious
if any buses are running the opposite way, but
I spare a quick glance to make sure the Phan’s
back in his holding pattern.
---“What
is his problem?” the new woman asks. I
turn my head back. The tattooed woman explains
sketchily. The professional sighs, and the tattooed
woman adjusts a bra strap through her blouse.
The vehicle in the distance most definitely
is a bus, and the Phan has wandered over once
again. “I swear to you, motherfucker,
if you get on the same bus as I do, you’re
fucking dead. Dead, or wishing you were. You
hear me?” The professional exits the shelter,
heading in the opposite direction of the Phan’s
perch. I look at my watch, and then consult
my bus pass. It won’t expire for another
hour. I’m safe. The Phan remains inside
the shelter this time.
---I remove my
shades and look towards the bus, trying to make
out what the number on its front is. It looks
like an “8”. I get the pass ready
while the tattooed woman uncrosses her legs
and stands up. Nice ass,too.
---The Phan shakes
his head in disbelief. “Some people,”
he comments. The second woman stands up as the
bus comes to a halt in front of the shelter.
It is an 8. The Phan clambers on, dumping a
pocketful of change into the ticket machine.
I let the women get on before me, partly out
of chivalry and partly because I enjoy the view.
As I step onto the bus behind them, ---I
see the professional exiting the convenience
store at a jog. He makes it on right behind
me as I insert my pass into the machine’s
reader. The word “Accepted” flashes
across its LED, and it spits the thing back
out at me. I leave it there.
---The tattooed
woman has taken a seat about midway back, and
I choose one directly across the aisle from
her. I rest my back against the window and watch
her continue the paperback. She drops her purse
to the floor beside her. The Phan has already
found a seat next to someone several seats up
from where I’m sitting, and has begun
a conversation with his uninterested neighbor.
The bus doors close, and the driver applies
the gas. The tattooed woman rubs a hand across
her neck underneath her hair, trying to massage
away the tension. She groans softly with fatigue.
---“What
the fuck did I tell you? Get the fuck off this
bus!” I don’t need to change where
I’m looking to know that the Phan has
noticed the professional.
---“Sir,
could you please have a seat.” The driver
says, diverting a fragment of her attention
to the rear view mirror that lets her see the
passengers. The Phan appeals to the driver.
“Look, I told this piece of shit not to
get on the same bus as I did. Now I’ve
gotta teach him a fucking lesson.”
---“Sir,
sit down.”
---The Phan does
nothing of the sort. “What the fuck did
I say, cocksucker?” The Phan has raised
his voice and is now garnering the attention
of the entire bus.
---The bus pulls
up to the next station, despite the fact that
it looks empty, and the driver turns on her
hazard lights. She lifts her bulk from the beaded
seat rest and walks toward the Phan and the
professional. “Alright, now what’s
going on?”
---The Phan blurts
out “I told this piece of shit not to
get on the same bus as me and...”
---The driver raises
her hand, silencing him. “Sir?”
she asks, turning toward the professional. “What’s
going on?”
---The professional
opens his mouth to speak, but the Phan interrupts.
“This motherfucker got on the bus, that’s
what’s going on.”
---The driver frowns,
realizing she’s not going to get a straight
answer while the pair of them are together.
She asks the professional to step outside so
she can talk in semi-privacy, and he follows
her out. The tension level in the bus goes up
slightly: a shouting match they can stand, but
when their schedules get delayed as a result,
it’s a cause for concern.
---The tattooed
woman frowns and consults her watch. The Phan
has reacquired his seat, and resumes his narrative.
I spare a thought of sympathy for his neighbor,
and return my attention to the woman. “All
I did was ask for a cigarette, and this piece
of shit was all over me. Man, you find some
real cocksuckers in this town, don’t you?”
The neighbor nods absently. The woman turns
a page and crosses her legs, exposing her tattoo
again. I look for a matching one on her other
ankle, but it’s bare.
---“I mean....
God!” The neighbor tries to ignore the
Phan, but if the Phan notices, he doesn’t
care. “One cigarette! I mean, who can’t
spare one cigarette?”
---I spare a glance
outside. The driver and the professional seem
to be talking rationally, and the driver punctuates
her side of the conversation with an occasional
gesture westward. The professional eventually
concedes, and the driver climbs aboard the bus
and presses a button on the fare receptacle.
A pass is disgorged, and the driver takes it
and hands it to the professional. He says a
final comment to the driver, who shrugs, and
returns to her seat.
---I look back
at the woman, and find her staring in my direction.
I surmise that she’d been watching the
exchange between the driver and the professional
too. Our eyes meet for an instant, but I look
away, turning the motion of my head into a full
180° sweep. I’m looking back west,
the way we came, and I see another bus, following
the same path that this one took. We lurch forward,
as the driver removes the emergency brake and
applies the gas. I keep looking for a few seconds,
until I’m satisfied that the woman has
looked away. From the corner of my eye, it looks
like she’s reading again. I slip my sunglasses
on and return my gaze to the woman, who has
indeed resumed her reading.
---“What
is his problem?” I hear someone from the
back of the bus whisper. A glance back reveals
that one of the passengers has asked the other
woman from my stop,who’s explaining secondhand.
---“Piece
of shit,” the Phan comments, sounding
strangely appreciative. The tone almost suggests
he’s saying more akin to “Son of
a gun.” The bus rolls on for a few more
blocks, and I watch the woman turn another page
and scratch the small other back. The Phan’s
neighbor pulls the cord to request the driver
to stop, and gathers his belongings together.
The bus stops, and the neighbor strolls toward
the exit. “I’ll catch you later!”
the Phan promises, prompting the former neighbor
to increase his pace infinitesimally.
---The woman rubs
her forehead and closes her book. Probably getting
a headache from reading in a moving vehicle.
She closes her eyes for a moment, trying to
control the pain, and then bends over to reach
her purse. The motion gives me an excellent
view right down her blouse. She fumbles with
the purse, trying to replace the paperback.
She’s wearing a dark green bra, and has
another tattoo on her left breast. It looks
like a small butterfly, but she straightens
up, holding a small object from her purse, before
I can make out any more details. Again, I’m
quite impressed.
---“You were
there.” I turn forward, toward the source
of the comment. The Phan has taken the seat
right in front of me. I nod slightly. “You
saw how that asshole treated me. ‘I already
told you no.’ Fuck.” I grunt in
response, trying to imbue the quasi-syllable
with just the right amount of mock sympathy
and genuine disinterest. I return my attention
to the woman, my eyes safely hidden under my
shades. She’s pulling her hair back using
the scrunchie from her purse. It looks good;
gives me a better view of her neck. Her ears
have about five earrings each in them, and I
wonder how long it takes for her remove them.
Or someone else to remove them.
---“Piece
of ....” He trails off, almost as if he’s
bored with this train of thought. I know I am.
---The bus stops
at another shelter, and one of the new passengers
takes the seat right in front of the Phan. The
Phan sees his opportunity, and launches into
are telling of his bold struggle with the professional.
“Oh man, listen. I gotta tell you about
this.” It sounds like he knows the guy,
and for all I know, he does. The new passenger
doesn’t show any indication that they’ve
had a previous relationship, however. I tune
their discussion out, and continue staring at
the woman.
---The bus continues
for a few more uneventful blocks, and I realize
how hungry I am. The Phan pulls the cord, and
the bus stops in front of an office building.
“Well, I gotta get going. I’ll see
you.” No one bids him farewell. He gets
off, and the bus lurches forward again. The
woman visibly relaxes, all the tension draining
from her shoulders. As the doors shut, she mumbles
“You’re welcome.” My stop
is soon, and I’ll have to leave this attractive
woman to the rest of her trip, consigning her
to my memory.
---My stomach growls,
and I decide to get off a little early. I can
stop at a hot dog stand half a block from the
bookstore and get a bag of chips to satisfy
it. The second I pull the cord, I remember that
I don’t have any cash. The bus stops,
and I wait for a second to see if anyone else
is getting off. If somebody else gets off, I’ll
be off the hook and can ride the whole way to
the bookstore; otherwise, I’ll have to
get off when the driver stops. No one else gets
off, so I do. I give a final glance to the woman,
who’s got her eyes closed. Oh well.
---The bus drives
off. I inhale deeply, taking in the smell of
hot dogs. Perhaps not the most appetizing of
fragrances, but when you’re hungry you
tend to get less picky. I look westward, to
the office building where the Phan was dropped
off. He’s waiting at a crosswalk, while
another bus comes up behind him. The bus stops,
and the professional gets out. He hurries away
from the bus, obviously trying to avoid the
Phan. When he’s about halfway to the office
building’s doors, the Phan notices him.
---“HEY!”
the Phan yells. The professional doesn’t
slow down, and the Phan breaks into a run towards
him. “Alright, Motherfucker! That’s
it!” The professional heads inside, followed
by the Phan. At this distance, it’s impossible
to hear anything, but I imagine the Phan’s
tirade is continuing inside. A few moments later,
the Phan is being escorted from the building
rather forcibly by a pair of large security
guards.
---“I know
where you work, cocksucker! I’ll be back!
Asshole! Piece of cocksucking shit!”
---“Excuse
me, sir” a voice from behind me says.
I turn and see a panhandler. Ragged clothes
and shoes, unkempt hair and distinctive odor.
“Can you spare some change?”
---I dig into my
pocket. One penny. A single cent, change from
the ginger ale. God, would it be ruder to say
I had nothing, or to give this guy a single
penny? I make my decision, and the man responds
with “God bless you, sir” and shuffles
west.
---I walk the half
block to the bookstore, and make a bee line
for the counter. Yes, they do have the copy
of the book I ordered. I take it from the cashier,
deciding I’m going to browse a bit before
I purchase it. I look for an open chair in which
to read it, and find one near the science fiction
section. I begin to read.
---I’m enmeshed
in my book and barely realize it when someone
sits in a nearby chair. “Some ride, huh?”
asks a voice I don’t recognize. The tattooed
woman is sitting across from me, a brand new
Star Trek book in her hand.
---“Yeah.”
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